Wednesday 30 July 2008

30/07/08

So, I haven't updated in a couple of weeks - I was off in different countries, looking in shops at clothes that I couldn't and cannot afford (I have under a tenner in my bank account, shoot me now) - but in that time, I got my first comment! And this was called "mindless drivel"! Sweet. In case you've not read Kerrang! for the past two weeks, let me be the first to say that I hope that this Iron-Maiden-erection-thing that I've noticed in the pages of the magazine for the past month or so is over. We get it already. They've been around for ages and play cricket grounds. Yadda yadda yadda. On with #1221.

1. SOME ROCK STARS ARE MASSIVE GEEKS WHEN THEY'RE NOT BEING ROCK STARS (p. 25)

Turns out that after System Of A Down went on hiatus, drummer John Dolmayan (currently playing for fellow SOAD'er Daron Malakian's Scars On Broadway) started putting his energy into Torpedo Comics, a comic and memorabilia store that sells comics for as little as 99 cents. In a world where I normally spend up to £15 a month on my must-have titles, that's a pretty frakking admirable side-hustle. One thing, though - $6 for ish one of last year's Runaways/Young Avengers crossover? Dude, I spent £2.50 on that shit sandwich. Exchange rates or no, there's no excuse.


2. HUH? JUSTIN HAWKINS? (p. 8)
Like a K! scribe wrote in a recent review of Stone Gods' recent debut album, it's hard to remember that The Darkness were once the biggest rock band in Britain. Remember the meteoric rise, with that ridiculous performance at the Brit Awards where Justin Hawkins played a guitar solo as a massive platform ascended towards the ceiling of the London Arena's building? (Serious.) What about those Christmas shows where Justin Hawkins played the solo to "Love on the Rocks with No Ice" over the audience's heads for fifteen minutes perched upon a giant green tiger wearing a Santa outfit? (No, no, this actually happened. I have proof somewhere if needed.) If you haven't figured it out yet, most of the band's ridiculous moments have to do with Justin Hawkins, the band's guitar virtuoso/falsetto-loving/catsuit-wearing frontman. And they were probably thought up when he was on coke. Funny, that.
See, now, while the world has moved on from The Darkness and, by extension, Hawkins, the man is back with his new band Hot Leg. Says Hawkins: "[Hot Leg] is basically a more intense version of The Darkness... a little more progressive... more flamboyant at times. It's got a bit of oomph!" Now, fair enough, but is it actually possible that you can be anymore flamboyant than THIS PICTURE? Have a listen to Hot Leg's "Heroes" underneath:
Good luck to the dude, but I'm just gonna stick with funnier, older songs about catching genital warts.
3. BATTLES = INDESCRIBABLE (p. 19)
Another week where the mighty Battles are mentioned within the pages of K! and even though these guys don't really deserve any more press than they're already getting, it's refreshing to see the magazine praising them. So while I can hold fast hope for a Tyondai Braxton cover for the yearly "punk" rport (do they still do that?), I'll just make fun of David McLaughlin's description of the band as "robocore". Really? Robots? Do they sound core-ish at all? Robots? I'm just being dickish for the sake of being dickish - even after all the time I've spent listening to "Mirrors" I've found it hard as fuck to describe the band to friends. (My favourite one: "They're like a puzzle, but every time you listen to them, you find another piece! Yeah? Right?") And no disrespect to robots either - I mean, I dig Cylon and Garfunkel big time.
4. I CAN'T FIND A NICE THING TO SAY ABOUT GLAMOUR OF THE KILL (p. 28)
The lead singer's called Davey Death. I'm sorry. Here, have a song that he likes.
5. DELUSION COMES WITH A FEW MILLION SOLD... (p. 43)
...and a clothing line, a deal with one of the biggest major labels/congloromates in the world, a tour with respawning cockroaches of cack cock'n'roll Buckcherry, an MTV Video Music Award, and the seeming ability to have their biggest single appear on every EA Games title from now until the end of the universe. Quoth Avenged Sevenfold frontman M Shadows: "We're still very much an underground band." Cough. Cough.
...cough.
[Off-topic I know (like that ever stopped me), but does anybody else miss Lost being on the telly as much as I do? Seriously, how good was that finale? Don't you all just want to get Desmond Hume tattoos with "BE MY CONSTANT" in massive pink letters underneath? Anybody?]
6. MY FANDOM WAS ALL JUST A LIE (p. 54)
"Everybody had sort of grown into their own worlds and it wasn't a band anymore. It was business. [...] Working in a studio is always frustrating: it was always frustrating with Fred [Durst, vox]. You have to understand basically it's being around somebody that you can't stand, literally, whose existance makes your skin crawl. [...] I was thinking 'How am I going to salvage the integirty of what I wroked on yesterday? Fred's going to come in and tear it apart, and probably trash it'." ~Wes Borland on being in Limp Bizkit during the recording of "Chocolate Starfish and the Hot Dog Flavoured Water"
Okay, we all knew that Mr Borland was the odd one out in Limp Bizkit when he was still in the band - look at any of these pictures for a reminder - but I personally didn't think it was as bad as him despising Fred Durst as much as the rest of the world. On a massive nostalgia trip recently, me and my best friend got into an in-depth conversation about the merits of Limp Bizkit (they were my favourite band once! I liked "Results May Vary", dammit!) and how Wes returned to the band for "The Unquestionable Truth, Part One". My friend thinks he did it JUST TO FUCK WITH FRED DURST. Which, er, makes sense. He did, after all, end up writing "The Priest" (seriously, if you don't read this, you're missing out).
7. I READ A REALLY INSENSITIVE MAGAZINE (p. 63)
K! says of Johnny Truant's upcoming minitour that "missing these shows is really the dumbest thing you'll do this year". Well, I missed them on the 27th in Glasgow because I was broke! So fuck you, Kerrang!
8. ALICE COOPER KNOWS REALLY FAMOUS PEOPLE (p. 11)
In this week's issue, Messer Cooper counts down his top five celebrity golfers: Catherine Zeta-Jones, Sly Stallone, Meat Loaf, Kevin Costner and, best of all, Kenny G (not to be mistaken with Kevin G, the rapper). "I don't want some little jazz saxophone player beating me, but he;s incredibly good! He's really, really hard to beat," divulges Alice, taking a short break from hanging out with Ronnie Corbett.
9. GUYLINER AND EXCESSIVE USE OF STRAIGHTENERS THREAT TO MOTHER RUSSIA (p. 12)
ps. Here's a Russian metalcore band! It's not very good but it's the best I could find after three hours of searches!
10. CRAIG OWENS ATTEMPTS SUICIDE (p. 8)
Okay, no snarky comments here. Craig Owens is the vocalist for US post-hardcore guys Chiodos and he is currently recovering from an attempt on his own life. Quoth the man from his online journal:
"On Sunday, July 20th, I attempted to overdose on prescribed Xanax at my home here in Michigan. Flash ahead 12 hours later, I woke up in the emergency room surrounded by my family and best friends, with an IV in my left arm, and hooked up to machines. [...] After being admitted to the hospital for a couple of days, I made my way to recovery and built up enough strength and courage with the support of my loved ones enough to make it back home. [...] I’m looking towards the future and have been blinded by the brightness of it. After taking care of myself over the past few days, and talking through this situation with my family, friends, and managers, I am committed to creating only positive actions out of the deepest and darkest low I have found myself in with this."
That's heavy stuff. According to K!, Owens has checked into a mental health facility even though Owens' own journal entries seem to contradict these claims - he insists that his band will not cancel any of their shows. Either way, the best of luck to him in his recovery.
So, erm, it's three in the morning. I'm out. New Misery Signals fucking rips, by the way.

Wednesday 9 July 2008

09/07/08

I don't normally get excited to buy a new Kerrang! every week if I'm being totally honest - I really enjoy writing this blog and that normally makes me eager to get a new issue - but the moment I saw the cover for #1218, I had a big ol' grin on my face. Converge, baby. That's all I needed to know.

1. CONVERGE = LOUDER THAN SLAYER (p. 24)

For this week's cover story, Ian Winwood flew to Salem, Massachusettes to see Converge tear apart their practise space with a three song set of "Hellbound", "Heartache" and "To The Lions". In the veteran K! writer's words, "the effect is intense and impressive. But it's also frightening. It's as if there are four rattlesnakes in the room and no one knows quite where they are... The performance lasts less than ten minutes, but walking outside even the soupy New England air feels like light relief. I've seen Slayer practise and next to this they sounded like Simon & Garfunkel."

Louder than Slayer? Them's fighting words. To support this claim, however, I will tell you this: last year I flew to Belgium to see Converge play at a Belgian festival called Groezrock and despite only really knowing about six or seven songs, they were pretty much everything Winwood just described. Awesome awesome awesome live band; "Converge are exhausting" indeed.


2. HIM'S ODD MARKETING PLANS (p. 54)
Once upon a time, not everybody fell over themselves to fellate Ville Valo's love-metallers (stand up Mr Margera) - back in 1999 when the band's "Razorblade Romance" record dropped stateside, the band apparantly had to market the album under the name HER. How so? There was an American band of the same name with ex-members of Tortoise amongst its ranks. That's, erm intriguing. Or something. (Come on, I gotta put ten things. Ten.)
3. HOW TO SWEAR ON DAYTIME RADIO AND GET AWAY WITH IT (p. 45)
Oh, those Funeral For A Friend boys, they never fail to give me little tidbits of information for this blog. Turns out that "Streetcar", the lead single for their "Hours" album, enabled the band to get the word "cunt" played on daytime radio. Says drummer Ryan Richards, "Where the voices in the middle repeat the line 'I can't feel the same about you anymore', we got lots of people to say 'cunt' instead of 'can't'." Those wiley boys. With this and vocalist Matt Davies-Kreye's claim that you can hear him yell the C-word before the drums kick in, I will never be able to look at this heartfelt, tuneful song without thinking of one word: cunt. You pricks.
4. WIL FRANCIS NEEDS TO GET OVER IT (p. 43)
Okay, that's an unfair thing to say to a dude who's just been dumped by his fiancée and had to deal with a family member's assault - those are tough emotional troughs to dig through. But, really, William Control? A dark new-wave side-project with alter-ego ambitions? No no no no no no no no no. Even if your songs are about "dark shit" like (deep breath) "bondage, rape, religion, [your] contempt for Christianity, God", it kinda ruins it when you put yourself in the shoes of a fucking cartoon character. At least that's what it looks like to me from here. Leave dark alter-ego musical shit to MF Doom. Last time I checked, wiL Francis, you are not MF Doom. Although now, you can really never know now.
5. OH, THAT'S WHERE THEODORE WENT (p. 8)
Jon Theodore used to play drums with The Mars Volta, at least up until 2006's "Amputechture", but to be honest I had absolutely no idea where dude had gone (apart from probably the local jam spot). Turns out that he's the other half of Rage Against The Machine vocalist (feels so good not to say "ex-vocalist") Zack de la Rocha's side-project One Day As A Lion. Whatever it sounds like, the beats will be massive as Theodore's a pretty fucking awesome drummer. However, one song will always keep his name in my head and in my heart - and it's not a Mars Volta song. It's a song by J-pop behemoth Utada Hikaru by the name of "Kremlin Dusk" and it's utterly amazing and one of many reasons that the album it comes from flopped horribly in the States. I know that doesn't make it sound good at all, but this song's awesome. Listen, dammit. (And funnily enough, this links us back with number 2 - Jon Theodore ocassionally plays for the non-Ville Vallo HIM!)
6. UH OH, ACTING MUSICIANS (p. 8)
Okay, Frank Sinatra - given. Everyone else is still fair game, mind. And I don't think metal's given us many good actors (if Alice Cooper is any sign, at least) so I fear for Lamb Of God frontman Randy Blythe's debut in horror The Graves. Apparantly Blythe's going to play a "murderous church deacon called Deacon Luke". Riiiiiggghhhht. Best of luck to him, but if he's expected to deliver a respectable performance as a church deacon it's best he avoids the ol' devillock like the plague. (Ol' devillock... would that not be fitting?)
7. K! DON'T CARE FOR SKATEBOARD P (p. 16)
Now, I'm pretty sure that N.E.R.D. were on the bill for the Milton Keynes leg of Linkin Park's Projekt Revolution tour. There were posters and everything, right? You know the logo with the little brain there, that was there... right? And unless the photos from the Billionaire Boys Club blog are photoshopped like fuck, the band played to all those thousands of people... right? So... if N.E.R.D. were on the bill, played and what else, then... where's the review of their set? Is there a Neptunes embargo at the K! offices? Because I need to get me a good Neptunes embargo so I stop being disappointed by when Pharrell starts rapping about his Hermes bag. Still, I digress.
8. I WANT TO BE FRIENDS WITH HAYLEY WILLIAMS (P. 71)
It isn't just because I want to use up a summer by playing bass for Paramore after seeing them at Give It A Name this year. It's not just because she's a crybaby like me (she cried when her friend got engaged - hell, I'd be bawling). And it's not just because she used the time sitting her SAT to write the lyrics for "Fences". Nope, it's the fact that the last song she'd want to hear before she dies would be "Vegas" by New Found Glory. And I quote: "You have to keep your eyes open/You'll never know if she's right...." I hope she likes Sega Saturns too.
9. SOUR CHERRIES IN THEIR OWN BAG?!?!?!? (p. 70)
Haribo Sour Cherries in their own bag. THEIR OWN BAG. Carl, if you're reading this, feel free to go apeshit with sugar joy.
10. SOMETIMES K! GETS IT RIGHT, SOMETIMES K! GETS IT PRETTY DAMN WRONG (p. 51-52)
Following a 4-K review from Paul Travers, I decided to throw on something from Whitechapel's newie, "This Is Exile" - one of the recommended tracks, "Of Legions" totally bored me. Sure, a good chug is always entertaining (just ask your brother) but when it goes on too long, it begins to just hurt (again, ask your brother). On the other hand, Nachtmystium, whose "Assassins: Black Meddle, Pt. 1" dropped with a 4-K review from Dan Slessor. And from the two recommended tracks I've heard, it's pretty goddamn fucking awesomely cool sweet. Good call, Slessor. Just goes to show that within the one magazine, one man's great record can be another's tripe. Or something. All I know are that Nachtmystium are pretty fucking sweet.
So, Converge, FFAF, sweet new albums and new Haribo sweets? A good week, I have to say.

Wednesday 2 July 2008

02/07/08


Okay, so I didn't do a post on last week's Mindless Self Indulgence ish. So sue me, I had a lot of film festival stuff going on. Anyhoodles, on with #1217...

  1. FUNERAL FOR A FRIEND ARE MAKING ME FEEL OLD (p.07)

The news should be that those reliable Welsh rock rockers, Funeral For A Friend, are going out on tour with Cancer Bats and In Case Of Fire. Instead, I'm drawn to this statement from FFAF vocalist Matt Davis-Kreye:

"[Our] new album is going to be called Memory and Humanity... We are going with an October 13 release date - which is actually the fifth anniversary of when our album Casually Dressed and Deep in Conversation came out."

Wait, hold up, FIVE YEARS?! Dude. That makes me feel uncomfortable - five years ago, I was just about halfway through high school, was still straight-edge, still wore my Odd Project zip-up hoodie everywhere I went, was yet to experience a whole bunch of things in life. Hell, as for my two biggest fandoms for geekery, Lost wasn't yet on TV, and in Runaways we were still trying to make sure the series didn't get cancelled long enough so that we could find out who the goddamn "mole" was. That was a minute ago, methinks. Hell, I remember Casually Dressed dropping and people were going absolutely fucking insane for this band - remember when folk used to say "Juno" was better than "Juneau"? They're still a good band, and good luck to them with their ongoing relative longevity, but good God, I need to go shave or go wear an odd-fitting black t-shirt or throw a tantrum or something to feel 15 again.

Funeral For A Friend - Rookie of the Year

2. BRUCE DICKINSON'S PLANE IS FAMOUS (P. 25-26)

So, if you didn't know, Bruce Dickinson of Iron Maiden flies to most gigs in HIS OWN PLANE. Seriously. (It's nicknamed Ed Force One, after the band's mascot Eddie The 'Ead - nice touch.) What I didn't know is that it's become so recognisable now, cue Dicky:

"[Ed Force One's] been doing regular runs... someone's aircraft brakes (sic) down and Ed Force One will arrive... It's great publicity for us. It was a bit of a superstar at Gatwick. Everyone is spotting it on the runway and air traffic control are now like 'You, behind the Iron Maiden plane, you're clear to taxi'. They've stopped calling it an Astraeus 757, it's become the Iron Maiden place, so that is all quite entertaining."

Dude, that must be a surprise when your flight doesn't take off and instead of a mind-numbing delay, BRUCE FUCKING DICKINSON FROM IRON MAIDEN comes along to take you to your destination! I really hope this happens when I leave for Berlin later this month. Despite his rock star fame, Dicky is a responsible pilot and never flies directly after a show:

"[Because] of the CAA regulations you have to have a minimum period of rest whihc is always 12 hours. So I'm offstage at 11pm and the plane is leaving at 11am the next morning it's not going to happen. But if the plane's leaving between 2 or 3 o'clock the next day, I have a good night's kip, don't go out on the lash the night before and have a nice lie-in, then I'll get up and fly the aeroplane."

Quite.

Iron Maiden - Aces High

3. WHAT EVER HAPPENED TO THE GA*GA*S? (p. 46)

Do you guys remember The Ga*Ga*s? Anybody? I was never a big fan, but they really seemed like one of those British rock bands that could tour and tour and tour forever, throwing out really fucking good songs whenever they felt like it. But then, they kinda vanished, only for three-quarters of the band to resurface in Slaves To Gravity. In this week's K!, I finally found out what happened: their label, Sanctuary, folded, they got dropped and they saw what they were building fall apart just around the same time they started to lose their patience with one another. Oh. Well, that was easy enough.

The*Ga*Ga*s - Replica

4. THE BEST DUMB TATTOO IDEA EVER (p. 44)

I love tattoos. I've always been interested in it and am happily waiting to get more than the measly one I have on my bicep (not measly, but you get the idea - measly in the sense of quantity, ahem). With this now, I have a habit of convincing friends that I am going to get tattoos that in my right mind I would never get. A fridge with the Star of David on top. A donkey wearing a leather jacket with the legend "BADASS" written on his back. Minnie Mouse doing a wheelie on a jetski (yeah, I know, not possible but still). A hardcopy version of Franz Kafka's "The Trial" on my inner thigh. An Enchanted backpiece that copies every aspect of the poster. Still, I haven't heard a tattoo idea in some time quite as stupid as Martin Mendez of Opeth's, who considered getting the AC/DC logo on his balls. According to guitarist Fredrik Åkesson, Mendez pulled out of the idea because he was "worried that the line in the middle might hurt too much". Still, points for effort.

Opeth - Hope Leaves

5. THE DESCENDENTS LASH OUT AT THE OFFSPRING... (p.43)

...about a million years ago, I'm guessing. I just read that the Descendants labelled The Offspring, who count the 'cendants as a big inspiration, as a "novelty" band. They must have confused "Pretty Fly (For A Rabbi)" with the original, but I'd say that's Weird Al's fault. Dammit, Al!

Descendents - Hateful Notebook

6. JACOB BANNON IS IMMEDIATELY PART OF THE DIPSET MOVEMENT (p. 30)

This is just too fucking priceless not to note. Jacob Bannon, vocalist for ultra-mega-influential-and-also-really-fucking-awesome hardcore nuts Converge, is there in all his mega-tattooed, newly bleach-blonde glory, talking about tattoos, faith, his ambitions, growing up and-- fuck it, who cares when he's wearing a goddamn Diplomats t-shirt?! If you've never heard of Dipset/Byrd Gang, you're really behind. These guys are absolutely insane as far as hip-hop crews. I don't have a scanner that allows me to take a picture of this photo, but it beggars belief. I love this kind of shit.

Juelz Santana - Santana's Town (feat. Cam'Ron)

7. TOM BRYANT GETS IT JUST RIGHT (p. 50)

Yeah, Cute Is What We Aim For suck. Not pure-hatred-suck or even what-has-happened-to-my-rock-n-roll-suck. Just "suck". But nothing that's horrendous, because I personally can get why people like these guys, even if I don't. To quote Tom Bryant's review of the band's new release, Rotation; "[The album] is exactly what you would expect of a Fueled By Ramen band in 2008 - sleek, slick, and sellable with little in the way of surprises and much of what you might expect... well executed." Well, that sums it up pretty much perfectly. Still, I have to fall back and say that "Navigate Me" does not only suck, but is also really creepy.

Cute Is What We Aim For - Navigate Me

8. DRAGONFORCE, YET AGAIN, WIN THE PRIZE FOR BEST ALBUM TITLE OF THE YEAR (p. 8)

Unanimously, might I add. Following Valley of the Damned, Sonic Firestorm and - yes! - Inhuman Rampage, power-metal dudes are releasing a new album in August by the name of (and I really need to put caps on for this) ULTRA BEATDOWN. Yes, say it with me: ULTRA BEATDOWN. It's an album title so ridiculously good that writing it with lower case letters would be nothing more than sacrilege. Apparantly "there's no slow bits" on the album. To be fair, they say that for every record they bring out, but goddammit, ULTRA BEATDOWN?! Until someone releases an album called Nutty Emporium, this is the album title of the year. I can't wait to hear how OTT this record is.

Dragonforce - Black Winter Night

9. UNDEROATH FAIL TO USURP DRAGONFORCE'S REIGN (p. 8)

The post-hardcore band's new album will be called Lost in the Sound of Seperation which, despite being okay, is nowhere near as cool as ULTRA BEATDOWN. To recap: Underoath -0. DragonForce - 4, 128, 000.

Underoath - I'm Content With Losing

10. COUNT GRISHNACKH DENIED PAROLE (p. 8)

Count Grishnackh (a.k.a. Varg Vikernes of Burzum, Mayhem and Darkthrone fame) has been denied parole for the second time. Just as well, really. Even if he's made some badass music, he did brutally murder Øystein Aarseth (a.k.a. Euronymous), his bandmate in Mayhem, set fire to a bunch of churches and escaped jail a few years back so... sorry dude. I can't really say much more because I'm not really a big BM dude, but what the fuck does he expect? Agh. There's a million Darkthrone songs that refer to death in their title but I chose this one in particular to be special!

Darkthrone - Black Victory Of Death

So, until next week, then.