I didn't know about Ultimate Thrush until ten minutes ago, and now they're a band I HAVE TO SEE LIVE LIKE MY LIFE DEPENDS ON IT. Luckily they're playing the Glasgow School of Art on Friday with FLFD faves Holy Mountain and some band called Mr Peppermint with no easily located Myspace page.
Download their self-titled album HERE and whet your appetite at their Myspace.
On last week's FLFD my compilation of the week was a collection of Weezer covers by 8-bit record label Pterodactyl Squad. It's exactly what you imagine a Weezer tribute by a bunch of video-game inspired bands would sound like (i.e. gimmicky but fun).
Jeans Wilder's put out probably my favourite song of the year, "Tough Guys", a sad-sack five minute dreampop masterwork that sounds like the movie Judd Apatow's Funny People wishes it was. Listen to it down there and try and catch on to what I'm on about.
Oh, and there's a new track on dude's Myspace called "That Glow" - it starts off pretty badly if I'm being honest (there's a wince-worthy note in the first thirty seconds) but like all his material, you fall under the charm of it pretty quickly.
Jeans and Jen Paul have a split 12" out now on Last Station Radar. I've not bought it yet because I'm lazy and want to save money on the new batch of Lost DVDs.
God, since I got back at uni I suck at updating this thing. Anyway, here's a new band called Kudrow - and yes, that's Jeff from Bomb The Music Industry! singing. So, immediately brilliant, non?
Tuesday, 13 October 2009
The Steal, those pretty good UK pop-punk/hardcore noiseniks, split up this year. To make the ache easier, here's their entire discography for free download.
Start getting into these songs, then kick yourself now that they're gone. Real talk.
Walking back from last night's FLFD (click HERE to listen to it again, tracklisting up soon), I ended up listening to this amazing mix by DJ One Drop. It's a cluster bomb of funky and you'll be hit by very danceable shards in every single direction you turn. You should listen to it right now:
My pal Carl has a blog, see, called Hear New Music, right, where he takes all the legal downloads he can find, alright, and puts them in a mix that you can then fling onto your iPod or a CD-R or whatever, okay? Well, he made another mix on Wednesday and I forgot to let you guys know about it then so... You can get it here.
Audrey's "Big Ships" is my favourite off the comp, if you're wondering.
I've been playing a badly tagged version of this since yesterday, but DJ Drama shouted out a trusted link on his Twitter account after I brought it up last night (probably not but whatever). We are alive in amazing times.
So on last week's show I played a couple of songs off the compilation Barnyard Soul!: Greasy Gritty Groovy Southern-Fried Soul for this little feature I've got by the name of Compilation Procrastination. The idea is to find a compilation record that I love and showcase it to the listeners, and you-know-what made it onto last week's FLFD.
There's not much detail online for this comp, but let me guarantee you that it's got a wide array of massive jams on it - imagine awesome James Brown-style funk and soul but with some more, well, primal urges attributed to the vocals! It's a great ride. There's another take on it HERE and you can find it on sale HERE - it's totally sold out anywhere else though, so hassle Deep Groove to press it again or get to digging already!
So, I heard Detektivbyrån for the first time today - at their best, the music sounds like Sigur Ros' more lighthearted moments and at its worst, it sounds like a synth-lead score of Howard Blake's score for The Snowman. Decide for yourself.
I haven't blogged since my show on Monday, have I? Bad call. Here's what I played, if you haven't seen it on my Myspace page or Facebook group (search "FLASHING LIGHTS + FLASH DRIVES" in FB to join), here's what I played on Monday nizzight:
MIIKE SNOW - Animal (RCD LBL) PARETO - This is Where I Draw the Line (self-released) TEENAGERSINTOKYO - Isabella (Backyard) BRENDA HOLLOWAY - Til Johnny Comes (Motown)
firsts - NITE JEWEL WARREN G - ...And Ya Don't Stop (Def Jam)
FUCK BUTTONS - Surf Solar (ATP) RAEKWON - Surgical Gloves (Ice H20) CALVINBALL - No Matter How Hard You Try (self-released) MAYER HAWTHORNE - Just Ain't Gonna Work Out (Stones Throw)
compilation procrastination! (part one) 100 PROFF (AGED IN SOUL) - Somebody's Been Sleeping In My Bed (Edsel)
NITE JEWEL - You Said, "Let's go, the Two of Us" (Italians Do It Better) BLK JKS - Lakeside (Secretly Canadian) LLOYD feat. LIL WAYNE - Pusher (self-released) CEYLAN ERTEM - Gonul Dagi (self-released)
firsts - THIS TOWN NEEDS GUNS LIT - My Own Worst Enemy (RCA)
THIS TOWN NEEDS GUNS - Lemur (Big Scary Monsters) S.C.U.M. - Visions Arise (self-released) DRAKE - Sooner Than Later (self-released)
compilation procrastination! (part two) STEREO TOTAL - Touche-Moi (Disko B)
KINGS OF CONVENIENCE - Boat Behind (EMI) GOROD - Splinters of Life (Listenable)
tom waits song of the week TOM WAITS - Anywhere I Lay My Head (Island)
BIG BOI feat. TOO $HORT & GEORGE CLINTON - Fo Yo Sorrows (Def Jam) T-PAIN feat. SHAWNNA - Dope (Nappy Boy) LOS CAMPESINOS! - Frontwards (self-released)
If you missed the show, you can listen to it at Air3 Radio until this Monday coming - and while you're there, go listen to At the Pictures as well (Tuesdays 3-5). As for the compilation of the week, here's a post I did on it back in August. A little post about last week's compilation of choice, Barnyard Soul! is coming up.
Muse, then. They must have written this song for the New Moon soundtrack because, damn, it sounds perfect for soundtracking some human/vampire/werewolf (delete as applicable) lovin' on the dancefloor at the gym-hall prom. So I'm gonna throw this on while I put on my Edward Cullen wig and do my Teen Wolf dance. It's pop music time, everyone.
It's funny - I was going to post about Chapel Club the other day after coming across their muscular, polished indie on Fucking Dance but for some reason or other, I didn't get round to it. Except now, they've requested me as a friend on Myspace! Like I said, funny.
So somebody must have caught onto that post on Francis and the Lights from a couple of months back, because Newday hit me up on Twitter yesterday about their remake of ol' Frannie boy's "A Modern Promise". It's embedded below for you to check out, so, yeah, go for it.
If you haven't added me already, my Twitter page is HERE. Read all my inane shit to your heart's content!
I was listening to an old Gilles Peterson podcast on the way up to uni this morning - it was the Mayer Hawthorne podcast, click here to download it - and heard some stuff that absolutely knocked me out. For me more than anybody else, check out these songs... they're just... wow. Check 'em out, then subscribe to Gilles. He's my dude. You already know.
I know nothing about Pavement. Well, I know that they're 90s indie heroes and they had that music video about the haircuts, but that's about it. So I don't get that furore about them reuniniting, even though I would like to.
Well then, thank goodness for Steven at Letters Have No Arms, as he's decided to put together "Pavement For Dummies", with ten songs to download by the band to get you on the way. It's a neat idea and, well, have a good time with it. Check it out HERE.
ps. Okay, I lied about not knowing any Pavement songs - I'm kinda familiar with "Frontwards" through a Lost article on A.V. Club (not recommended if you're not caught up fully with season five, but if so, click away) and it's great - here's a Youtube video with the song, off Slanted & Enchanted.
Oh, and here's a sweet cover of the song by Los Campesinos! played at twice the speed, the way they play pretty much all their songs.
It’s taken me a while to type this up – it was going to be up on Monday but the computer I was working on crashed and I didn’t save this, which kickstarted a very stressful evening. But I figured it would be worth checking out, so better late than never eh? I now present to you FIVE QUESTIONS WITH… FUCK BUTTONS
1. So why Fuck Buttons as a band name?
ANDY (jokingly): We really like the word “fuck” and it had an incredible resonance at the time, we just enjoyed embellishing it with the word “buttons”. The word “buttons” with “fuck”, it kind of turned into… it excelled the word, in a way.
FLFD: Did you have any other contenders?
BENJAMIN: Piss Witches. (everyone laughs)
FLFD: Alright, now we’re rolling!
2. Listening to the new material tonight, it sounds like ideas piling on top of another, creating this really dense feeling – it’s akin to reading a book with various subplots running alongside one another. Is there an intention to put together music that feels especially layered?
ANDY: I think we were really conscious in embellishing our sounds from the last record. With Street Horrrsing, there was definitely a prominent singularity to the components of the music but this time round we were extremely conscious of not repeating those steps but also in learning from them. You’re right though, we’ve definitely moved towards becoming a more multi-faceted prospect this time round.
FLFD: The new songs are a lot heavier - I heard elements of rave and industrial music that weren’t prominent before.
ANDY: I guess these are words attached to specific aesthetics but it’s not something we can turn ourselves with or at least have an intention with. I can see why you hear elements of dance and metal in the new songs, but it’s certainly not a conscious decision to contain these sounds.
3. How does a song begin in your writing process? Does it start with an idea or a certain riff or…
BENJAMIN: We never have any set agenda when we sit in a room to start writing music together, like wanting to use particular chords or wanting a song to evoke a certain emotion. We literally just sit in a room with as much equipment as we can get our hands on and try to extract sounds from them. Once we hit upon a sound we like, we jam it out and then work on structuring something around it. We never come in with ideas and that leaves us constantly surprised with what we come up with. That keeps us happy.
FLFD: My friends’ old band used to write really technical songs that I imagined took up to a month to finish writing. How long did it take to write “Ribs Out”, for instance?
ANDY: “Ribs Out” actually took two hours. Our perspective and sensibilities are really important when it comes to writing – I mean, it can take a few days to experiment with sounds until we hit on something but the actual structuring of those sounds don’t take too long at all.
BENJAMIN: Some tracks will take two hours to write, some tracks will take two months.
4. With the wide array of different equipment you use, would you consider yourselves an analogue or digital band?
BENJAMIN: All of the signal processors we use in the first instance are analogue, but there is some digital manipulation in there. A lot of the stuff we use are things picked up from car boot sales and things like that, but it’s a mixture – we don’t have a set idea as to what we’d use to create a song. Whatever goes, really.
5. How do the lyrics play into the music? Unless there’s some secret Dan Brown code hidden in the artwork to Street Horrrsing that I’m missing out on, I know nobody that knows the lyrics…
BENJAMIN: There’s no lyrics. For the most part, it’s improvised.
FLFD: Really? Can you tell me just one line that you usually use?
ANDY: “Be awesome to each other”.
BENJAMIN (sceptically): Yeah.
ANDY: The reason behind improvising the vocals is because they don’t function as a narrative tool.
BENJAMIN: They’re like another layer of sound. (pause) There are some lyrics we use, but we’re not going to tell you. I’d probably have to kill you. (him and Andy laugh)
[Thanks to Andy and Benjamin for rocking Stereo last week/deafening my girlfriend/doing an immortal drop that I can never use for my show ("You're listening to Flashing Lights and Flash Drives: eat a dick, motherfucker") and being sound. Their new album is called Tarot Sport, it's out on ATP Recordings and it just leaked. Be a nice person and take it home with you on October 12th instead of downloading it.]
I am the host of a show on Air3 Radio in Stirling called FLASHING LIGHTS AND FLASH DRIVES and I decided I needed to revitalise my blog inbetween down time from the show. "So keep your mouth closed and let your eyes listen" ahem.
Any music posted here is just for sampling purposes. If you like what you hear, get in contact with the band or their label or your local record shop so you can support them.
Contact:
flashinglightsflashdrives@hotmail.co.uk